EDUCATION:
Harvard University: Ph.D. Music Composition, June 2004
Oberlin College Conservatory of Music: B.Mus. Music Composition, Aug 1998
TEACHING EXPERIENCE:
Maryland Academy of Technology and Health Sciences, Baltimore City Public School System: Music Teacher
The Elements of Music (2007-08)
Ensemble: MATHSoundSystem
Oasis Charter Middle School, City of Cape Coral Charter Schools: Music Teacher
Digital Music Composition (2006-07)
Inter-Arts Ensemble
Introduction to Musical Languages
Ithaca College: Lecturer
Introduction to Composition (Fall 2003, Fall 2004)
Orchestration (Fall 2003)
Choral Arranging (Fall 2003)
Harvard University: Teaching Fellow
Interpreting Musical Performance (Spring 2003), under Prof. Christopher Hasty
Introduction to Composition (Fall 2002), under Prof. Elliott Gyger
Fundamentals of Music Theory I (Fall 2001), under Prof. Joshua Fineberg
Fundamentals of Music Theory II (Spring 2001), under Prof. Joshua Fineberg
Independent Teaching: Organizer/Instructor
Beatmaking and Sampling with Software (Fall 2004)
Created curriculum and instructed 3-week sessions for the community of Ithaca, NY
OBJECTIVE:
To build a forward-looking creative music program, fusing the study of classical music theory and practice with experimental approaches and ideas of “remix”, as related to popular culture and current subcultures.
COMPOSITION ACTIVITY:
Projects and Commissions:
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Commission from the Contemporary Museum in Baltimore, MD, to produce a soundtrack for multi-media artist Kianga Ford's "A Story Of This Place: Charm City Remix". Music for a walking tour and recorded narrative, exploring historical layers of the city through fictional characters (2008)
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Film score for "M9" commissioned by Joseph Zohar, Moving Box Productions (2008)
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Remix of Frederic Rzewski's "Coming Together", composing electronic backing track and performing live processing on my voice as narrator. Performance on first concert of Mobtown Modern concert series, which I am co-curating with saxophonist Brian Sacawa, in partnership with the Contemporary Museum (2008)
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Formation of unique non-traditional chamber ensemble Hybrid Groove Project, with saxophonist Brian Sacawa, releasing original music through Innova Recordings (2006)
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Collaboration with singer/composer Du Yun, songs released through Tag Team Records (2006)
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Commission from bassoonist Dana Jessen, composition scored for bassoon and turntables/electronics (2006)
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Film score for "Chalk Outlines" commissioned by filmmaker Joseph Zohar, Moving Box Productions (2006)
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Commission from Ithaca College Percussion Ensemble, composition scored for DJ and percussion quartet (2005)
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Live mix in collaboration with the Human Studies Film Archive of the Smithsonian Institution, performed with turntables and laptop, commissioned for Ithaca College's First Year Reading Initiative remix entitled Dismantling War, with renowned VJ and IC Distinguished Artist Art Jones (2005)
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Received Meet The Composer grant as part of multimedia project whatWALL?, University of Michigan (2004)
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Doctoral dissertation composition entitled Mandala of the Four Directions: a ritual cantata for 4 singers and 4 ensembles (2004)
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Commission from International Contemporary Ensemble, composition scored for tenor/narrator and chamber ensemble (2002)
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Received John Knowles Paine Traveling Fellowship (Harvard University) to pursue documentary-performance project on human relationship to water in different regions across the United States, culminating in a piece for live instruments with water-related sounds and video (2001-02)
Featured performances: Artscape Festival: Exotic Hypnotic showcase (Baltimore) 2007; Boston CyberArts Festival 2007; Chamber Music Now! (Philadelphia) 2006; Martin-Luther-University, Halle-Wittenberg, (Germany) 2005; Banff Music Festival, (Canada) 2002; 1st Annual I.C.E. Festival, (School of the Chicago Art Institute ballroom) 2002; Midwest Composers' Symposium (Indiana University, 1996; OC, 1997); ARTS Week 1995 (Miami University)
Compositions performed by: The Atlantic Brass Quintet; Boston Modern Orchestra Project; International Contemporary Ensemble; Callithumpian Consort; yesaroun’ duo; The Fromm Players; Tabula Rasa; Oberlin Contemporary Music Ensemble; The Vance Quartet
Composition Studies: Bernard Rands (dissertation advisor) and Mario Davidovsky, Harvard University; Randolph Coleman and Param Vir, Oberlin College; Michael Gandolfi, Summer 1997
Awards: George Arthur Knight Composition Prize, HU, 2000; Francis Boott Composition Prize, HU, 1999; Herbert Elwell Memorial Prize in Composition, OC, 1998; NFAA / ARTS Level III Award, 1995; Dean's Talent Scholarship, OC, 1995; National Guild of Community Schools in the Arts "Young Composers' Award" 2nd Place, 1994
Discography:
- Brian Sacawa: “American Voices”, Innova Recordings (2007)
- Du Yun: not yet titled, Tag Team Records (to be released 2009)
- DJ Dubble8: “Fourth World Nyabinghi”, CD Baby (2006)
- DJ Dubble8: “Tompkins County Organic”, CD Baby (2005)
OTHER ACTIVITIES:
Turntablist performance (as DJ Dubble8):
- Collaborative performance with Sonic Circus Duo, presenting works by Riley, Shatin, Spangler and others with video, Canterbury House concert series, Ann Arbor, MI (2008)
- Soloist in the premiere of Chris Gendall's "Holy Rollers", a concerto for turntables and orchestra, with the Cornell Symphony Orchestra, conducted by Chris Kim (2007)
- Lecture and performance for the electronic music department at Peabody Conservatory (2007)
- Boston CyberArts Festival (2007)
- Franklin Pierce College (2007)
- Guest artist at the Finger Lakes Environmental Film Festival, Ithaca College (2006)
- Lecture and performance at the music department of the University of Arizona (2006)
- Chamber Music Now! concert series, Philadelphia (2006)
- Roy H. Park School of Communications, Ithaca College (2005)
- University of Michigan (2004)
- Harvard University, with Boston Modern Orchestra Project (2003)
- art galleries and club venues from Boston to Orlando (2003-present)
Organizations:
- Co-curator of Mobtown Modern, a new music series in partnership with the Contemporary Museum
- Co-founder of saxophone/turntables duo Hybrid Groove Project
- Member of The Onward Project, a multimedia performance collective focused on the remix of archival footage, in association with The Smithsonian Institute
- BMI
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